Source material·Moodboard
What's underneath.
Films, colour, work in flight, and lines that keep returning. This is the source material - the visible roots of the rest of the site.
01·Films I keep returning to
Cinema is the first lens. These four are the canonical ones; everything else is in conversation with them.
Moonlight (2016)
Barry Jenkins · DP James Laxton
“A breeze is all it takes to aid you in escaping the harsh reality we all live in.”
Kill Bill Vol. 1 (2003)
Quentin Tarantino · DP Robert Richardson
Children of Men (2006)
Alfonso Cuarón · DP Emmanuel Lubezki
“Lubezki's long takes rewrote what I thought camera language could do.”
Dog Day Afternoon (1975)
Sidney Lumet · DP Victor J. Kemper
02·Colour I live in
The Moonlight quartet. Teal primary, with three supporting colours for live signals, hover highlights, and deep frames.
Moonlight Teal
#1f6e7a · Primary accent
Swimming-scene cyan · Moonlight (2016)
Sodium Amber
#d88b47 · Live indicators
Miami streetlights · Moonlight (2016)
Diner Magenta
#d8447c · Signature hover
Hello Stranger neon · Moonlight (2016)
Night Indigo
#1a2b47 · Deep frames
Night-ocean shadow · Moonlight (2016)
03·What I make
Stills from work in flight - Future Office View staging variants and 3DGS research outputs.
Future Office View · tenant-facing demo
Personal · image-to-image AI staging POC
Future Office View · hero v1
Personal
3DGS cleaning ablation across difficulty levels
BARNES Dubai · 3DGS research pipeline
Splat viewer gallery · six property scans
BARNES Dubai · Splat Viewer
Engine quality profile by domain
SIGGRAPH Asia 2026 submission
04·Working notes
Lines that keep returning when the work gets hard.
“Cinema is the first lens. Editorial design is the second.”
“The work that lasts is built slowly, and the operator becomes the work over time.”
“Prototype the system, then write the brief that explains it.”
“Restraint over completion. Stubs visible, never empty.”